sunnyleeras@gmail.com
*Contact for artist CV or portfolio of photography commissions
Bio:
Sunny Leerasanthanah
b. 1994 Bangkok, Thailand
Lives in Brooklyn, New York, USA
Sunny Leerasanthanah (she/ they) was born and raised in Bangkok, Thailand, and currently lives and works in New York City. Her visual art practice spans video, multimedia installation, photography, book arts, and performance, ruminating on storytelling, placemaking, identity, family, superstition, and collecting. In 2023, she will have her first solo exhibition at the John Michael Kohler Arts Center, sharing a new video installation about the control of foreign bodies and species.
Sunny is most recently a recipient of the 2023 Center for Book Arts' Book Artist-in-Residence. In 2022, she was a recipient of the Fire Island Artist Residency. In 2021, she created and exhibited the video installation, Wuthichai (Exit Interview), in SculptureCenter’s In Practice show, You may go, but this will bring you back (2021). The project was awarded New York City's Queens Council on the Arts' 2021 New Work Grant. In other recent work, she had 40+ photographic portraits of American artists and curators published in the book We Are Here: Visionaries of Color Transforming the Art World by Jasmin Hernandez (2021). In 2020, she self-published a book that debuted at Bangkok Art Book Fair titled Mom’s Magnets (2020).
Sunny received a Master of Arts in arts administration from Columbia University and a Bachelor of Fine Arts in film and photography from Ithaca College. Outside of her practice, she is a freelance photographer and works at The Curve Foundation.
Wuthichai (Exit Interview)
2021
Two-channel HD video installation with mixed media including watch, journals, video camcorder and tape, medicine bag, pills, pill splitter, incentive spirometer, wallet, ID cards, glasses and case, shoes, shirts, pants, shorts, hangers. Dimensions variable.
Video portion is 48 min on loop.
Commissioned by SculptureCenter; exhibited at SculptureCenter’s 2021 In Practice show, You may go, but this will bring you back (March-August 2021)
Awarded the 2021 Queens Council on the Arts’ New Work Grant.
INSTALLATION EXCERPT: vimeo.com/535311796
EXHIBITION CATALOG: Link
EXHIBITION PRESS RELEASE: Link
Description: Thai-speaking actors, who were casted via online community forums for Thai immigrants in New York City, role-play and improvise dialogue as Sunny’s deceased father.
Above: Video installation images
Towards Tenderness
2017
Exhibition of prints and text
Description: A two-person exhibition that took place at Lubov gallery and was organized and displayed works by Sunny Leerasanthanah and David Lurvey.
Above: Pamphlet design by Stephen Lurvey
Above: Install shots by David Lurvey
Above: My Mother Doesn’t Know I Think Her Softness Is Her Strength
Print by Sunny Leerasanthanah
PHOTO PORTRAITS
Adam
Beryl
Moises
Tyla
Pipp
Adam
Josie
Win
Firelei
Pipp
Aniebiet
Adam
Maxie
Vanilla
Carry Me Home
Carry Me Home
2016-ongoing
Photo series
Exhibited at Myers Media Gallery, Teachers College, Columbia University, 2019
Description: A series of images taken during Sunny’s travels home to Thailand, ruminating on the feeling of being ready to constantly depart.
Above: Exhibition poster
WORKSHOP
Untitled workshop originally conducted during Rehearsal Residency in 2018.
Description: On November 10, 2018, Sunny led a storytelling-based workshop about auspicious signatures and superstition, based on her Thai-Chinese family lineage and stories passed down from her mother.
During the interactive workshop, participants drafted their “lucky” signatures.
Participants’ feedback:
Workshop Notes:
1 The workshop had a performative aspect which involved me weaving in a personal narrative through storytelling.
The personal narrative was based on things my mother taught me about how to practice handwriting with “good fortune”. The way you shape certain letters can indicate “leakage” of wealth, or the way you strike through your name can mean cursing youself to bad luck.
2
The purpose of storytelling was to mirror the act of passing superstition by word of mouth, something I experienced first-hand growing up. My mother made me practice writing my signature so that it would be “lucky”.
Rehearsal Residency images
We Are Here: Visionaries of Color Transforming the Art World (2021) by Jasmin Hernandez; Published by Abrams Books
Principal Photography (artist portraits, studio and art work photography) by Sunny Leerasanthanah; additional photography by Jasmine Durhal
Purchase at Abrams Books ︎
Mom’s Magnets
Mom’s Magnets
2020
Self-published risograph book
5.85 x 8.25 in
Printed by Witti Studio, Bangkok, Thailand
Featured at Bangkok Art Book Fair 2020
Edition of 100
︎︎~ LAST FEW COPIES AVAILABLE FOR PURCHASE !~
email sunnyleeras@gmail.com
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2020
Self-published risograph book
5.85 x 8.25 in
Printed by Witti Studio, Bangkok, Thailand
Featured at Bangkok Art Book Fair 2020
Edition of 100
︎︎~ LAST FEW COPIES AVAILABLE FOR PURCHASE !~
email sunnyleeras@gmail.com
Photo courtesy Miriam Gallery
PURCHASE IN USA
︎︎︎ Printed Matter online + Chelsea location ︎
︎︎︎ Miriam Gallery online + gallery ︎
︎︎︎ Citizen Editions online ︎
PURCHASE IN THAILAND
︎︎︎ Happening Shop online + Bangkok Arts and Culture Center location + Dadfa La Salle location ︎
Description: Mom’s Magnets is Leerasanthanah’s typological documentation of her mother’s collection of magnets from worldly destinations. The souvenir magnet is exemplary of reducing culture, place, people, heritage, and politics to commodified kitsch. Patterns reveal the homogenous representations of marketable icons. Playful juxtapositions force a relationship between two seemingly unrelated symbols, like the Egyptian hieroglyph tablet and Britain’s telephone booth. Ultimately, the book contemplates the attempt to embody and possess place and time—a subject that resonates with Leerasanthanah’s past work.
PHOTOBOOK
Homes Against Tides
2018
Self-published photobook
Saddle-stitched, color laser print on matte paper
8.25 x 10.75 in
Edition of 10
Description: The photobook features a series of images taken in the south of Thailand, studying the delicate patterns produced by Indo-Pacific sand bubbler crabs as they dig for food and discard sand in mesmerizing patterns. The book dwells on the persistent, Sisyphean cycle of the crabs, whose evidence of a day’s work is washed away at high tide daily.
WRITING
An Interview with Artist Gwen Shockey for Hyperallergic (2019)
︎ Link to article
VIDEO INSTALLATIONS & FILM
Wuthichai (Exit Interview)
2021
48 min Two-channel HD video installation with mixed media including watch, journals, video camcorder and tape, medicine bag, pills, pill splitter, incentive spirometer, wallet, ID cards, glasses and case, shoes, shirts, pants, shorts, hangers. Dimensions variable.
Commissioned by SculptureCenter; exhibited at SculptureCenter’s 2021 In Practice show, You may go, but this will bring you back.
Awarded the 2021 Queens Council on the Arts’ New Work Grant.
INSTALLATION EXCERPT: vimeo.com/535311796
SCULPTURECENTER EXHIBITION CATALOG: Link to PDF
Description: Thai-speaking actors, who were casted via online community forums for Thai immigrants in New York City, role-play and improvise dialogue as Sunny’s deceased father.
Strange Fear & Ecstasy
2016
Video installation, 5:22 min on loop
Footage credit: Cellphone video clips of drag performer Aaron Thornton (Vanilla Diamond) at Virginia Beach in 2015;
Archival footage by filmmaker Nelson Sullivan (1948-1989).
INSTALLATION PREVIEW: vimeo.com/225476297
Surface Tension
2015Video installation on loop
INSTALLATION PREVIEW: vimeo.com/154914664
183 Dreams
2013
Short film, 3:32 min, 16mm black and white film
Ladybird
2013
Short film, 4 min, HD video
Co-Written and Co-Directed by Sunny Leerasanthanah and Sydney Kovar. Originally screened at Ithaca College, New York
FAMILY ARCHIVE
Images from the 1970s from my aunt’s collection
At the end of the school year, my aunt and her friends gave each other professional headshots for safekeeping.
BANGKOK 2019 – 2020
CAMBODIA 2019 – 2020
NEW YORK in Black & White
Ithaca, Queens, Brooklyn, Manhattan
